Inner Space: a review

Photo by Rivqa Rafael

In a lovely bit of synchronicity, we took our kids to the aquarium a week or two before I reviewed Inner Space for COSMOS Magazine. So I was delighted to see Ron and Valerie Taylor mentioned in the timeline at the top of the shark enclosure, as it gave me some context before I started my DVD marathon.

The Taylors started their joint career as spearfishing champions in the 1950s before moving to a more conservationist approach, photographing and filming marine life instead of killing it. They contributed a great deal to marine science and species conservation.

The footage for Inner Space was taken from roughly the middle of their career, so it was interesting to see what they were doing right before they advised Spielberg on Jaws. Some of the footage in the doco made my greenie heart cringe a little, but in context it wasn’t that bad. Their positive attitudes more than made up for the slightly grainy footage and all the things we wouldn’t do these days.

My review is up on COSMOS Online now and there’s a competition on the COSMOS Facebook page to win a copy of the DVD.

The beauty of the depths

Valerie Taylor gets up close to a shark. Credit: Madman Entertainment/Ron Taylor Film Productions.

Valerie Taylor gets up close to a shark. Credit: Madman Entertainment/Ron Taylor Film Productions.

Inner Space: The Complete Series
Directed by Robert Walker, Madman Entertainment, 1973, released on DVD 2012
This review was originally published in COSMOS Magazine.

Over Inner Space’s 13 episodes, Ron and Valerie Taylor showcase their impressive knowledge and sheer love of all things marine.

William Shatner’s gorgeous narration (he refers to leopard sharks as “streamlined spaceships of the sea”) and Sven Libaek’s pleasant jazz soundtrack (included on CD) make it easy listening. But the real joy is the Taylors’s boundless curiosity and unfailing bravery. It’s delightful watching them make friends with sea lions and hitch a ride on a giant whale shark.

Produced in 1973, Madman Entertainment pursued Inner Space for many years before managing to secure the rights and release the only commercially available version of the series.

Inner Space is clearly dated, with its slow pace and muted colours. The night diving and close-up camera provide the best-quality footage, and fascinating insights – such as the beauty of tiny hermit crabs and polkadot baby barramundi.

If anything, the series is a little light on facts, tending to give the visuals space to speak for themselves. It may thus appeal more to viewers who know little about marine life. But whether they’re collecting specimens and fossils for scientists or discovering new species, the Taylors’s contribution to science shouldn’t be underestimated.

The footage used in Inner Space was filmed over 10 years, documenting the beginning of the Taylors’s evolution from spearfishing champions to conservation advocates.

The coral-eating crown-of-thorn sea star is demonised as a reef killer – its ecological purpose and causes for its overpopulation are now better known. And I watched in mixed horror and amazement as one of the Taylors colleagues killed a shark (“man’s most-feared, deadliest enemy”) that seemed threatening, then proceeded to deliver her babies when he realised she was pregnant. But the Taylors subsequently endanger themselves to rescue a shark caught in their equipment, even performing shark CPR.

Later, they try to stop divers from killing endangered grey nurse sharks. These small, gentle sharks had a bad rep at the time, and were easy prey for divers looking to kill for sport. Ron and Val were determined to clear their names, and I’m struck by their important role of PR for species conservation.

As Shatner puts it, “it seems like a horrifying debt man is building up against nature”. The series ends by exploring shipwrecks as potential artificial reefs for aquafarming – both for food and as a way to repair the damage people have done to the ocean. It’s clear that the Taylors helped humanity on the road to start paying it back.